Podcast: Play in new window | Download (Duration: 1:37:32 — 67.2MB)
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Podcast: Play in new window | Download (Duration: 1:37:32 — 67.2MB)
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Podcast: Play in new window | Download (Duration: 45:23 — 52.2MB)
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We dig into the experiences of Jason Cale, an incredible guitarist out of Southeastern Virginia. Jason gives us insight into playing in military bands, cultivating an original sound and leading a professional band. With formal training in classical and jazz music, Jason is very influenced by blues and fusion guitarists like Allen Holdsworth, Greg Howe, Ritchie Kotzen, Robben Ford, Jimmy Herring, Frank Gambale, Eric Gales, and Joe Bonamassa. He is also keen on blending blues, funk, and gospel into his music.
The guys discuss gigging bands, the impact of horn and piano players, professional rehearsals, and how to play to audiences.
Jason tells us about his career as a military musician primarily with the United States Air Force, including performances in the Middle East for the US troops, backing up John Popper of Blues Traveler, performing on Late Night with Conan O’Brien.
We can’t help but to talk about gear. Jason tells us about his rig, complete with details about his Fender tube amps, analog pedals, and multiple guitars.
Aside from Jason’s guitar playing, we talk about singing, production and studio work.
Check out Jason and his band, the Jason Cale Band, at www.jasoncalemusic.com
Podcast: Play in new window | Download (Duration: 47:19 — 54.4MB)
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We dig into the experiences of Jason Cale, an incredible guitarist out of Southeastern Virginia. Jason gives us insight into playing in military bands, cultivating an original sound and leading a professional band. With formal training in classical and jazz music, Jason is very influenced by blues and fusion guitarists like Allen Holdsworth, Greg Howe, Ritchie Kotzen, Robben Ford, Jimmy Herring, Frank Gambale, Eric Gales, and Joe Bonamassa. He is also keen on blending blues, funk, and gospel into his music.
The guys discuss gigging bands, the impact of horn and piano players, professional rehearsals, and how to play to audiences.
Jason tells us about his career as a military musician primarily with the United States Air Force, including performances in the Middle East for the US troops, backing up John Popper of Blues Traveler, performing on Late Night with Conan O’Brien.
We can’t help but to talk about gear. Jason tells us about his rig, complete with details about his Fender tube amps, analog pedals, and multiple guitars.
Aside from Jason’s guitar playing, we talk about singing, production and studio work.
Check out Jason and his band, the Jason Cale Band, at www.jasoncalemusic.com
Podcast: Play in new window | Download (Duration: 44:19 — 50.9MB)
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We explore synths, drum machines, samplers, LoFi music, studio monitors and so much more with the help of Mr. Paul Gaeta, an electronic music producer and manager at the Moog Factory in Asheville, NC.
Paul explains how he came to work at Moog, and then tells us about his electronic music project, which utilizes a Juno 60 synth. He also tells us about his lofi project and the copyright problems that arise from sampling songs.
We delve into Paul’s musical writing process, and Joe explains chord theory by comparing chords to cookies. No matter what instrument you play, a synthesizer could be a great way to spur some creativity in your music.
Paul talks about how to generally use synths – don’t try to recreate a sound in your head (like a “saxophone” sound), but try to explore the sounds that you can pull out of the synth by way of filters, LFOs, oscillators, and different waveforms (saw tooth, square, triangle, etc). He explains the differences between mono synths and poly synths, between analogue and digital synths, and places to start if you want to get into synths but have no prior experience.
From there we move into the world of drum machines and samplers. Paul tells us about different pieces of equipment and generally how to use them.
The conversation gets into the music of Stranger Things (from the synth-oriented electronic band Survive) and Michael Jackson, the evolution of MTV and VH1, and GarageBand and the modern era of instant gratification.
Check out some of Paul’s projects:
Paul Abdul (lofi beat stuff) https://paulabdul.bandcamp.com/album/promises-to-keep
Panther God (synthy stuff) https://panthergod.bandcamp.com/album/golden-changes
Xero God (rap project) https://xerogod.bandcamp.com/album/bandidos
Podcast: Play in new window | Download (Duration: 1:04:42 — 44.7MB)
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We explore synths, drum machines, samplers, LoFi music, studio monitors and so much more with the help of Mr. Paul Gaeta, an electronic music producer and manager at the Moog Factory in Asheville, NC.
Paul explains how he came to work at Moog, and then tells us about his electronic music project, which utilizes a Juno 60 synth. He also tells us about his lofi project and the copyright problems that arise from sampling songs.
We delve into Paul’s musical writing process, and Joe explains chord theory by comparing chords to cookies. No matter what instrument you play, a synthesizer could be a great way to spur some creativity in your music.
Paul talks about how to generally use synths – don’t try to recreate a sound in your head (like a “saxophone” sound), but try to explore the sounds that you can pull out of the synth by way of filters, LFOs, oscillators, and different waveforms (saw tooth, square, triangle, etc). He explains the differences between mono synths and poly synths, between analogue and digital synths, and places to start if you want to get into synths but have no prior experience.
From there we move into the world of drum machines and samplers. Paul tells us about different pieces of equipment and generally how to use them.
The conversation gets into the music of Stranger Things (from the synth-oriented electronic band Survive) and Michael Jackson, the evolution of MTV and VH1, and GarageBand and the modern era of instant gratification.
Check out some of Paul’s projects:
Paul Abdul (lofi beat stuff) https://paulabdul.bandcamp.com/album/promises-to-keep
Panther God (synthy stuff) https://panthergod.bandcamp.com/album/golden-changes
Xero God (rap project) https://xerogod.bandcamp.com/album/bandidos
Podcast: Play in new window | Download (Duration: 1:12:38 — 50.1MB)
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Aaron and Joe delve deep into their memory banks as they share tales from the many concerts and music festivals they have experienced. As a musician it is incredibly important that you attend live shows: it fuels your passion for making your own music, it helps you learn how to build set-lists to hold an audience, it’s FUN, and so much more.
The guys talk about seeing bands like Rush, Big Something, Dave Matthews, Tom Petty, the Black Crowes, Metallica, Megadeath, Blink 182, Tedeschi Trucks, Pat Metheny, the Yellowjackets, Tito Puente, Mark Whitfield, Mike Stern, Bon Jovi, Jeff Healey, Pearl Jam, Red Hot Chili Peppers, Hootie & The Blowfish, Billy Joel, Aerosmith, Phish, Umphrey’s McGee, Jack White, Kanye West, Elton John, the Black Keys, Joe Bonamassa, Paul McCartney, Tori Amos, Iced Tea, Snoop Dog, Weezer, Stevie Nicks, Tool, Meshuggah, Yes, Gov’t Mule, Prince, Danzig, Suicidal Tendencies, Flaming Lips, Skrillix, John Butler Trio, Green Sky Bluegrass, Ween, Sublime, Incubus, Cake, and many more!!
When you see a live show you should keep in mind that the venue is going to dictate your experience. Often smaller venues provide a more intimate experience with the chance to really interact with the performers. Large arena concerts can be fun, but often the experience is dependent on your seats (pit vs. lawn, etc.) and the people you went with. The guys talk about specific venues from jazz clubs to warehouses to theaters to arenas.
Aaron talks about his experience at the Milwaukee Metal Fest. Joe talks about the differences between the music festivals he has attended, from Bonnaroo, Firefly, Lockn, All Points West, and many local festivals. Different vibes, different lineups, different camping situations, different experiences.
With so many different live music options available to us, there is no excuse to not get out there and see a show! Support your local musicians, experience a new genre of music, try camping out at a festival, or crowd surf for the first time (make sure your phone is in a secure pocket).
Podcast: Play in new window | Download (Duration: 1:06:19 — 45.8MB)
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Who doesn’t love to talk about guitar tone?? Aside from the obvious fact that much of your tone comes from your fingers, it is also greatly affected by your beloved gear: your instruments, amps, effects pedals, etc. Lots of the gear that you purchase off the shelf can actually be improved or changed through mods / modifications to the internal circuitry – some of which you can do yourself. We bring in guitarist, amp technician, music teacher, and Berklee graduate, Miles Harshman, to give us the ins and outs of musical equipment.
In Part 1 of this conversation we dig into guitar tone, ranging from Jimi Hendrix to Stevie Ray Vaughan to Robin Trower. Miles talks about his love of different types of fuzz pedals, an effect that Joe rarely uses. While Joe uses several types of overdrive and natural small amp distortion, he commits to giving fuzz another try. Miles presents an overview of how tube amps work – their different gains stages, how the tubes break up, the feeling of a tube amp due to the sag/sponginess in the rectifier tube.
Miles tells us about his journey to becoming a gear technician, including building his first stratocaster in high school and his more recent telecaster with unusual switches.
We talk about clean guitar tones, and how hollow, semi-hollow, and chambered bodies affect the your sound.
Miles begins telling us about his experiences at Berklee College of Music, including the many ensemble choices, the enormous practice room amps, and the general atmosphere. Check out next week’s episode to discover who was Miles’ freshman year roommate!
Podcast: Play in new window | Download (Duration: 57:27 — 39.7MB)
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In part 2 of Fingerstyle Guitar, Dustin gets into his process of arranging his compositions and how he goes about coming up with his melodies. The guys also discuss one of his original songs, “Elder Tree”, the role of an audience, how Dustin was approached by booking agents, the process of booking shows/tours, concertsinyourhome.org, Dustin’s connection to fingerstyle and his solo show, his practice routine and resources that he recommends.
dustinfurlow.com for more information
Fret Buzz The Podcast
fretbuzzthepodcast.com
Podcast: Play in new window | Download (Duration: 1:07:14 — 46.4MB)
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Joe and Aaron bring in guitarist and vocalist, Dustin Furlow, to discuss all things fingerstyle guitar. The guys talk about influential fingerstyle guitarists including Tommy Emmanuel, Stephen Bennett (harp guitar), Andy McKee, Tony McManus, Garreth Pearson, Don Ross, Mike Dawes, Adam Rafferty, Adrian Legg, Alexander Misko, and Matt Thomas. They look into approaches to choosing the right keys for solo fingerstyle guitar arrangements, as well as alternate tunings such as DADGAD and open D tuning. The guys dive seriously into the details of nail maintenance and acrylic gel nails for fingerpicking.
Dustin, with his wealth of experience playing and performing with high end acoustic guitars, explains the benefits and downsides of many types of guitars, especially as they relate to fingerstyle guitar playing. They look at the differences in sound and playability of Martin, Taylor, Gibson, Larrivee, and Beneteau guitars, as well as choosing the right pickups and pre-amps to get the best live amplified sound.
dustinfurlow.com for more information
Podcast: Play in new window | Download (Duration: 1:09:35 — 48.0MB)
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Aaron Sefchick and Joe McMurray discuss the influences that jazz has had on their lives. They talk about the jazz guitarists (and other instrumentalists) that originally made them excited to listen to and/or play jazz, including Kenny Burrell, Pat Metheny, Grant Green, and many more. Whether you are interested in playing jazz or just listening to inspiring music, this ever-evolving genre has many different flavors to discover.