Tag Archives: mixing

Drums, NYC Music Scene (with Graham Doby) Ep044



Aaron Sefchick and Joe McMurray bring in drummer Graham Doby to discuss drums and the music scene in New York City.
Graham tells the guys about his musical journey, including playing jazz in high school and studying jazz drumming at George Mason University before moving to NYC to work as a full-time musician.  Graham remembers playing at different venues in Washington, DC while he was in music school, and Joe and Graham reminisce about ear-training classes at George Mason with Dr. Anthony Maiello.  The guys also contemplate the value of Berklee College of Music as it compares to other music programs/options.
Graham talks about the complexities of the NYC music scene: it’s competitive nature, it’s different circles of musicians (from professional jazz players to wedding bands to professional players of other genres), and it’s often low-paying or pay-to-play gigs.  Despite any difficulties, Graham loves being part of NYC’s scene.  There are great players, exciting opportunities, and cool people.
Aaron gets Graham to tell us about his experience opening for Parliament and the stories of his interactions with George Clinton.
Graham has built a recording studio in NYC to record other bands and to produce his own music.  The guys ask him to explain how he manages the noise and his neighbors in an apartment building.
Aaron, Joe, and Graham discuss how to book gigs for a self-managed tour.  Graham talks about his work with a non-profit group that provides music education for youth, senior citizens, and students with disabilities, which reminds Joe of Fret Buzz Episode 38 with Joe Hamm of El Sistema.
The guys talk about the business skills it takes to make a living playing music, from doing taxes to wearing multiple hats (teaching during the day and performing at night).  Graham answers the burning question about how NYC musicians deal with getting show equipment to their gigs considering the obvious transportation difficulties.  The answer: they often don’t have to worry about it because so many venues have house drum kits and amps.
Graham tells us about his plans for the future, including recording projects, more teaching, and staying in NYC for at least five more years.
Late Sea
https://www.lateseamusic.com/

Gigging, Military Bands Part 2 of 2 (with Guest Host, Jason Cale) Ep036



We dig into the experiences of Jason Cale, an incredible guitarist out of Southeastern Virginia. Jason gives us insight into playing in military bands, cultivating an original sound and leading a professional band. With formal training in classical and jazz music, Jason is very influenced by blues and fusion guitarists like Allen Holdsworth, Greg Howe, Ritchie Kotzen, Robben Ford, Jimmy Herring, Frank Gambale, Eric Gales, and Joe Bonamassa. He is also keen on blending blues, funk, and gospel into his music.

The guys discuss gigging bands, the impact of horn and piano players, professional rehearsals, and how to play to audiences.

Jason tells us about his career as a military musician primarily with the United States Air Force, including performances in the Middle East for the US troops, backing up John Popper of Blues Traveler, performing on Late Night with Conan O’Brien.

We can’t help but to talk about gear. Jason tells us about his rig, complete with details about his Fender tube amps, analog pedals, and multiple guitars.

Aside from Jason’s guitar playing, we talk about singing, production and studio work.

Check out Jason and his band, the Jason Cale Band, at www.jasoncalemusic.com


Gigging, Military Bands Part 1 of 2 (with Guest Host, Jason Cale) Ep035



We dig into the experiences of Jason Cale, an incredible guitarist out of Southeastern Virginia. Jason gives us insight into playing in military bands, cultivating an original sound and leading a professional band. With formal training in classical and jazz music, Jason is very influenced by blues and fusion guitarists like Allen Holdsworth, Greg Howe, Ritchie Kotzen, Robben Ford, Jimmy Herring, Frank Gambale, Eric Gales, and Joe Bonamassa. He is also keen on blending blues, funk, and gospel into his music.

The guys discuss gigging bands, the impact of horn and piano players, professional rehearsals, and how to play to audiences.

Jason tells us about his career as a military musician primarily with the United States Air Force, including performances in the Middle East for the US troops, backing up John Popper of Blues Traveler, performing on Late Night with Conan O’Brien.

We can’t help but to talk about gear. Jason tells us about his rig, complete with details about his Fender tube amps, analog pedals, and multiple guitars.

Aside from Jason’s guitar playing, we talk about singing, production and studio work.

Check out Jason and his band, the Jason Cale Band, at www.jasoncalemusic.com


Recording and Mixing Part 2 of 2 (with Guest Host, Tynz Hampton) Ep022



In part 2 of Recording and Mixing, the guys get into topics like where to start with a mix, how to approach mixing drums, an audio engineer vs. a producer, preproduction and communication, laziness and stealing music, having the client mix with you vs. mixing on your own, and expectations of an audio engineer.

Tynz Hampton – District Entertainment Recording
derecording.com


Recording and Mixing Part 1 of 2 (with Guest Host, Tynz Hampton) Ep021



derecording.com

This week Joe and Aaron sit down with guest host Tynz Hampton and talk about taking care of yourself before the studio, releasing your music now, the fear of putting yourself out there, mixing in a sonic space, the Fletcher Munson Curve, and taking a breaks for fresh ears.


The Recording Studio tips and tricks from the Fret Buzzards Ep019



Aaron and Joe begin the process of familiarising those who may not be as knowledgable in the studio envirornment. Making sure the palyer in in top condition, using the right microphone and experimenting with mic placement, cables, and the interface/preamps.