Category Archives: Episodes

Seattle, Lead Guitar, Writing and Recording an Album Part 2 of 2 (with Brent Lyons of Solving Sounds) Ep043

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Podcast: Play in new window | Download (Duration: 1:00:44 — 55.8MB)

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In Part 2 of 2, Joe McMurray and Aaron Sefchick continue their conversation with Brent Lyons of the “Solving Sounds” podcast. They talk about the process of writing and recording an album, the popular music scene, and the way that society consumes music.

Brent tells us about his approach to writing and recording an album from start to finish. He writes songs in batches, with a focus on the overall sequencing and journey of the album (think Pink Floyd’s “The Wall”). The guys discuss the virtues of creating music for art versus promotion. Brent talks about how he writes individual songs – using different instruments to create the main hooks. The guys hash out creativity in the studio, including working with engineers who have songwriting/arranging input, using different equipment for different tones, and using Ableton and MIDI to spur creativity.

Finally, Brent, Aaron, and Joe talk about the state of the overall music scene and how it is influenced by the ways that the general public consumes music. With the lack of new band cultivation by major record labels, the legendary bands of the past have been elevated to even higher statuses, and reunion tours and tribute bands have gained momentum.

Check out Solving Sounds on your favorite podcasting app or at:
https://www.facebook.com/SolvingSoundsPodcast/
http://solvingsounds.libsyn.com/

Seattle, Lead Guitar, Writing and Recording an Album Part 1 of 2 (with Brent Lyons of Solving Sounds) Ep042

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Podcast: Play in new window | Download (Duration: 54:47 — 50.4MB)

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In Part 1 of 2, Joe McMurray and Aaron Sefchick are joined by Brent Lyons of the “Solving Sounds” podcast to discuss his podcast, the Seattle music scene, approaches to lead guitar and music theory, and guitar effects.
Brent tells the guys about the different sub-scenes in Seattle, from indie rock to heavy sludge rock to folk and acoustic.  He also talks about the transforming landscapes within the scene, including old venues closing down due to gentrification, and the challenge of “pay-to-play” gigs.
The guys talk about Brent’s Solving Sounds podcast, its release schedule, and some of its memorable moments.
The episode ends with an in-depth discussion on approaches to playing lead guitar, learning music theory, and Brent’s favorite guitar effects pedals.
Check out Solving Sounds on your favorite podcasting app or at:

Drums and Public School Music Teachers Part 2 of 2 (with Guest Host, Shaun Rodgers) Ep041

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Podcast: Play in new window | Download (Duration: 1:02:47 — 57.7MB)

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In the 2nd half of our interview, we continue our conversation with Shaun Rodgers.  In part 1 we talked a lot about Shauns current projects and teaching music in the Virginia public school system, and in part 2 we talk about the University of Maryland’s music department and about drum kits.  Shaun is a former colleague and bandmate of hosts Aaron Sefchick and Joe McMurray, playing drums in their original band, the Kairos Quintet.
Shaun graduated from the University of Maryland’s music department, and we ask him to detail his experience.  He tells us about his reasons for choosing the University of Maryland, the teachers (many of whom perform with the National Symphony), the amazing music facilities on campus, the classes, and the overall vibe of the school.
We dive into the world of drum kits.  Shaun explains his different kits, and how he chooses which one to use for each gig.  We discuss drumming techniques, choosing drum sticks, snare drums, the sounds of different drums based on the types of wood that they are made from, electric drum kits, and hand drums.
Shaun currently plays in several bands around Northern Virginia including:
–  Broken Ground Band: a 1990s/early 2000s cover band (www.brokengroundband.com)
–  Half Pint Harry: a band featuring tiny instruments (www.halfpintharry.com)
–  FarAway: an acoustic duo (plus drums) (www.farawaysongs.com)

Drums and Public School Music Teachers Part 1 of 2 (with Guest Host, Shaun Rodgers) Ep040

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Podcast: Play in new window | Download (Duration: 1:04:06 — 44.2MB)

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Shaun Rodgers joins the show to talk about drumming, teaching music in the Virginia public school system, and the University of Maryland’s music department.  Shaun is a former colleague and bandmate of hosts Aaron Sefchick and Joe McMurray, playing drums in their original band, the Kairos Quintet.  The guys reminisce on the collaborative writing approach and overall professionalism of that band.
Shaun tells us about the different bands that he is currently playing in around Northern Virginia including:
–  Broken Ground Band: a 1990s/early 2000s cover band (www.brokengroundband.com)
–  Half Pint Harry: a band featuring tiny instruments (www.halfpintharry.com)
–  FarAway: an acoustic duo (plus drums) (www.farawaysongs.com)
Shaun tells us about life as a general music teacher in the Virginia public school system.  He teaches Kindergarten through 6th grade and although it can sometimes be exhausting, Shaun points to the beauty of having a full-time salaried position in the musical realm.  We discuss why he is choosing to teach younger kids versus older kids (no after school programs!), semester planning, “Standards of Learning” (SOL), teaching young kids how to “school,”  teaching recorder in public schools, and the usefulness of the piano and guitar for teaching.
We then talk about melodic drumming, a topic that we have discussed in the past with Joe Hamm of El Sistema in Episode 038.  Shaun, who has an incredible ear, tells us about his past ear training and how it helps him to sing harmonies.  We also talk about the importance of designated listening for ourselves and our students.

Jazz and Higher Education with Dr. Shawn Purcell Ep039

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Podcast: Play in new window | Download (Duration: 1:37:32 — 67.2MB)

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Dr. Shawn Purcell, who teaches jazz guitar and jazz arranging at George Mason University and performs for the U.S. Navy Commodores, provides us with many insights into his story, learning and teaching music at a collegiate level, touring with the Ringling Brothers Circus, and his career as a military musician.
Shawn, Joe, and Aaron discuss methodical and efficient practice routines, working with new students to develop these practice routines, and the need to adjust these practice routines to prepare for different sorts of gigs and musical opportunities.
Shawn’s story takes us from his youthful days of Led Zeppelin, Ozzy Osbourne, Steve Vai, and Van Halen to his college days in which he studied jazz guitar and the recording arts at Duquesne University.  Upon graduation he landed a gig touring with the Ringling Brothers Circus, for which he spent two years traveling around the country on a circus train and played guitar for a living.  His next stop was eight years as the guitarist for the Air Force’s premier jazz ensemble, the Airmen of Note.
in 2004, Shawn and his wife, Dr. Darden Purcell, moved to Nashville where he gigged and earned his Master of Arts in Music from Middle Tennessee State University.  He gives us details of his experiences in the Nashville music scene.
If you thought Shawn had already received a lot of music education, he and his wife then moved to Illinois where he earned his Doctor of Musical Arts in Jazz Performance.  After a period of teaching at the National Guitar Workshop, he landed the job as the guitarist for the U.S. Naval Academy Band, and a couple years later he won the position as guitarist for the U.S. Navy Band “Commodores” jazz ensemble in Washington DC.  Shawn tells us lots of information about becoming a military musician, the lifestyle, the necessary skills, etc.  He stresses the importance of being able to sight read!
Finally we get into a deeper discussion about higher education: how to become a music professor, what that experience is like, how universities work, etc.
Shawn was one of Joe’s jazz guitar teachers at George Mason University, and Shawn’s methodical and organized style of teaching helped Joe achieve tremendous growth as a guitarist and as a teacher.
Check out Dr. Shawn Purcell at www.shawnpurcell.com

Drums and Music for the Under-Resourced (with Joe Hamm of El Sistema) Ep038

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Podcast: Play in new window | Download (Duration: 1:10:43 — 48.8MB)

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Drummer and music educator, Joe Hamm, joins the conversation as we learn about the El Sistema philosophy of providing music programs to under-resourced kids, the social value of music, the role of the drums within the context of a band, and touring.

Joe Hamm gives us his musical and educational background, and we talk about melodic drumming, ear training, and the deprivation of sounds and colors.
The philosophy of El Sistema was created in Venezuela in 1975.  It focused on the idea that an orchestra is a community and thus models the larger society.  Organizations that adhere to the El Sistema philosophy provide under-resourced students with consistent access to intensive music education.  Joe Hamm tells us about his program, Soundscapes, with which he and ~9 other teachers work with students in Newport News, Virginia.
We talk about Joe Hamm’s former rock band, Chasing Arrows, their tour schedule, and the impact of the financial crash of 2008 on the music industry.
More information about Joe Hamm can be found at https://www.joehamm.com/
More information about El Sistema can be found at https://elsistemausa.org/
More information about Soundscapes can be found at https://soundscapes.org/

Hosting FM Radio (with Guest Host Steve Black)

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Podcast: Play in new window | Download (Duration: 1:13:12 — 67.2MB)

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Steve Black may have conducted over 1500 interviews of famous musicians and bands over the past 30 years, but Aaron and Joe use the opportunity to get Steve’s story of what it’s like to be a rock radio host. Steve tells us about how his incredible journey started back in 1989 at a radio station in Detroit, Michigan, and how a blizzard gave him the chance to run his first radio program. We dig into Steve’s take on what makes a good radio personality, how he runs his own show, and how he sets up interviews and then prepares for them.

Steve tells us about interviewing Ted Nugent, Bob Ezra (producer for Pink Floyd), and Paul O’Neil (producer for Trans Siberian Orchestra). He tells us about his friendship with Steve Vai. He even tells us about the time he went to a birthday party with Guns ‘N Roses.

We discuss the changing music industry and how to get your music onto the radio. We also get the story behind Steve’s book, “From Black to Light.”

Steve has his own show called the Chop Shop, which is centered around the guitar, but includes many different styles of music.

Also check out Steve’s podcast:

The Sound Of
https://itunes.apple.com/us/podcast/the-sound-of/id1272892687?mt=2

Gigging, Military Bands Part 2 of 2 (with Guest Host, Jason Cale) Ep036

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Podcast: Play in new window | Download (Duration: 45:23 — 52.2MB)

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We dig into the experiences of Jason Cale, an incredible guitarist out of Southeastern Virginia. Jason gives us insight into playing in military bands, cultivating an original sound and leading a professional band. With formal training in classical and jazz music, Jason is very influenced by blues and fusion guitarists like Allen Holdsworth, Greg Howe, Ritchie Kotzen, Robben Ford, Jimmy Herring, Frank Gambale, Eric Gales, and Joe Bonamassa. He is also keen on blending blues, funk, and gospel into his music.

The guys discuss gigging bands, the impact of horn and piano players, professional rehearsals, and how to play to audiences.

Jason tells us about his career as a military musician primarily with the United States Air Force, including performances in the Middle East for the US troops, backing up John Popper of Blues Traveler, performing on Late Night with Conan O’Brien.

We can’t help but to talk about gear. Jason tells us about his rig, complete with details about his Fender tube amps, analog pedals, and multiple guitars.

Aside from Jason’s guitar playing, we talk about singing, production and studio work.

Check out Jason and his band, the Jason Cale Band, at www.jasoncalemusic.com

Gigging, Military Bands Part 1 of 2 (with Guest Host, Jason Cale) Ep035

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Podcast: Play in new window | Download (Duration: 47:19 — 54.4MB)

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We dig into the experiences of Jason Cale, an incredible guitarist out of Southeastern Virginia. Jason gives us insight into playing in military bands, cultivating an original sound and leading a professional band. With formal training in classical and jazz music, Jason is very influenced by blues and fusion guitarists like Allen Holdsworth, Greg Howe, Ritchie Kotzen, Robben Ford, Jimmy Herring, Frank Gambale, Eric Gales, and Joe Bonamassa. He is also keen on blending blues, funk, and gospel into his music.

The guys discuss gigging bands, the impact of horn and piano players, professional rehearsals, and how to play to audiences.

Jason tells us about his career as a military musician primarily with the United States Air Force, including performances in the Middle East for the US troops, backing up John Popper of Blues Traveler, performing on Late Night with Conan O’Brien.

We can’t help but to talk about gear. Jason tells us about his rig, complete with details about his Fender tube amps, analog pedals, and multiple guitars.

Aside from Jason’s guitar playing, we talk about singing, production and studio work.

Check out Jason and his band, the Jason Cale Band, at www.jasoncalemusic.com

Synthesizers and Sampling part 2 of 2 (w/ Guest Host, Paul Gaeta) Ep034

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Podcast: Play in new window | Download (Duration: 44:19 — 50.9MB)

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We explore synths, drum machines, samplers, LoFi music, studio monitors and so much more with the help of Mr. Paul Gaeta, an electronic music producer and manager at the Moog Factory in Asheville, NC.

Paul explains how he came to work at Moog, and then tells us about his electronic music project, which utilizes a Juno 60 synth. He also tells us about his lofi project and the copyright problems that arise from sampling songs.

We delve into Paul’s musical writing process, and Joe explains chord theory by comparing chords to cookies. No matter what instrument you play, a synthesizer could be a great way to spur some creativity in your music.

Paul talks about how to generally use synths – don’t try to recreate a sound in your head (like a “saxophone” sound), but try to explore the sounds that you can pull out of the synth by way of filters, LFOs, oscillators, and different waveforms (saw tooth, square, triangle, etc). He explains the differences between mono synths and poly synths, between analogue and digital synths, and places to start if you want to get into synths but have no prior experience.

From there we move into the world of drum machines and samplers. Paul tells us about different pieces of equipment and generally how to use them.

The conversation gets into the music of Stranger Things (from the synth-oriented electronic band Survive) and Michael Jackson, the evolution of MTV and VH1, and GarageBand and the modern era of instant gratification.

Check out some of Paul’s projects:
Paul Abdul (lofi beat stuff) https://paulabdul.bandcamp.com/album/promises-to-keep

Panther God (synthy stuff) https://panthergod.bandcamp.com/album/golden-changes

Xero God (rap project) https://xerogod.bandcamp.com/album/bandidos