Tag Archives: music talk

Seattle, Lead Guitar, Writing and Recording an Album Part 2 of 2 (with Brent Lyons of Solving Sounds) Ep043

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Podcast: Play in new window | Download (Duration: 1:00:44 — 55.8MB)

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In Part 2 of 2, Joe McMurray and Aaron Sefchick continue their conversation with Brent Lyons of the “Solving Sounds” podcast. They talk about the process of writing and recording an album, the popular music scene, and the way that society consumes music.

Brent tells us about his approach to writing and recording an album from start to finish. He writes songs in batches, with a focus on the overall sequencing and journey of the album (think Pink Floyd’s “The Wall”). The guys discuss the virtues of creating music for art versus promotion. Brent talks about how he writes individual songs – using different instruments to create the main hooks. The guys hash out creativity in the studio, including working with engineers who have songwriting/arranging input, using different equipment for different tones, and using Ableton and MIDI to spur creativity.

Finally, Brent, Aaron, and Joe talk about the state of the overall music scene and how it is influenced by the ways that the general public consumes music. With the lack of new band cultivation by major record labels, the legendary bands of the past have been elevated to even higher statuses, and reunion tours and tribute bands have gained momentum.

Check out Solving Sounds on your favorite podcasting app or at:
https://www.facebook.com/SolvingSoundsPodcast/
http://solvingsounds.libsyn.com/

Seattle, Lead Guitar, Writing and Recording an Album Part 1 of 2 (with Brent Lyons of Solving Sounds) Ep042

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Podcast: Play in new window | Download (Duration: 54:47 — 50.4MB)

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In Part 1 of 2, Joe McMurray and Aaron Sefchick are joined by Brent Lyons of the “Solving Sounds” podcast to discuss his podcast, the Seattle music scene, approaches to lead guitar and music theory, and guitar effects.
Brent tells the guys about the different sub-scenes in Seattle, from indie rock to heavy sludge rock to folk and acoustic.  He also talks about the transforming landscapes within the scene, including old venues closing down due to gentrification, and the challenge of “pay-to-play” gigs.
The guys talk about Brent’s Solving Sounds podcast, its release schedule, and some of its memorable moments.
The episode ends with an in-depth discussion on approaches to playing lead guitar, learning music theory, and Brent’s favorite guitar effects pedals.
Check out Solving Sounds on your favorite podcasting app or at:

Drums and Public School Music Teachers Part 2 of 2 (with Guest Host, Shaun Rodgers) Ep041

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Podcast: Play in new window | Download (Duration: 1:02:47 — 57.7MB)

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In the 2nd half of our interview, we continue our conversation with Shaun Rodgers.  In part 1 we talked a lot about Shauns current projects and teaching music in the Virginia public school system, and in part 2 we talk about the University of Maryland’s music department and about drum kits.  Shaun is a former colleague and bandmate of hosts Aaron Sefchick and Joe McMurray, playing drums in their original band, the Kairos Quintet.
Shaun graduated from the University of Maryland’s music department, and we ask him to detail his experience.  He tells us about his reasons for choosing the University of Maryland, the teachers (many of whom perform with the National Symphony), the amazing music facilities on campus, the classes, and the overall vibe of the school.
We dive into the world of drum kits.  Shaun explains his different kits, and how he chooses which one to use for each gig.  We discuss drumming techniques, choosing drum sticks, snare drums, the sounds of different drums based on the types of wood that they are made from, electric drum kits, and hand drums.
Shaun currently plays in several bands around Northern Virginia including:
–  Broken Ground Band: a 1990s/early 2000s cover band (www.brokengroundband.com)
–  Half Pint Harry: a band featuring tiny instruments (www.halfpintharry.com)
–  FarAway: an acoustic duo (plus drums) (www.farawaysongs.com)

Drums and Public School Music Teachers Part 1 of 2 (with Guest Host, Shaun Rodgers) Ep040

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Podcast: Play in new window | Download (Duration: 1:04:06 — 44.2MB)

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Shaun Rodgers joins the show to talk about drumming, teaching music in the Virginia public school system, and the University of Maryland’s music department.  Shaun is a former colleague and bandmate of hosts Aaron Sefchick and Joe McMurray, playing drums in their original band, the Kairos Quintet.  The guys reminisce on the collaborative writing approach and overall professionalism of that band.
Shaun tells us about the different bands that he is currently playing in around Northern Virginia including:
–  Broken Ground Band: a 1990s/early 2000s cover band (www.brokengroundband.com)
–  Half Pint Harry: a band featuring tiny instruments (www.halfpintharry.com)
–  FarAway: an acoustic duo (plus drums) (www.farawaysongs.com)
Shaun tells us about life as a general music teacher in the Virginia public school system.  He teaches Kindergarten through 6th grade and although it can sometimes be exhausting, Shaun points to the beauty of having a full-time salaried position in the musical realm.  We discuss why he is choosing to teach younger kids versus older kids (no after school programs!), semester planning, “Standards of Learning” (SOL), teaching young kids how to “school,”  teaching recorder in public schools, and the usefulness of the piano and guitar for teaching.
We then talk about melodic drumming, a topic that we have discussed in the past with Joe Hamm of El Sistema in Episode 038.  Shaun, who has an incredible ear, tells us about his past ear training and how it helps him to sing harmonies.  We also talk about the importance of designated listening for ourselves and our students.

Jazz and Higher Education with Dr. Shawn Purcell Ep039

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Podcast: Play in new window | Download (Duration: 1:37:32 — 67.2MB)

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Dr. Shawn Purcell, who teaches jazz guitar and jazz arranging at George Mason University and performs for the U.S. Navy Commodores, provides us with many insights into his story, learning and teaching music at a collegiate level, touring with the Ringling Brothers Circus, and his career as a military musician.
Shawn, Joe, and Aaron discuss methodical and efficient practice routines, working with new students to develop these practice routines, and the need to adjust these practice routines to prepare for different sorts of gigs and musical opportunities.
Shawn’s story takes us from his youthful days of Led Zeppelin, Ozzy Osbourne, Steve Vai, and Van Halen to his college days in which he studied jazz guitar and the recording arts at Duquesne University.  Upon graduation he landed a gig touring with the Ringling Brothers Circus, for which he spent two years traveling around the country on a circus train and played guitar for a living.  His next stop was eight years as the guitarist for the Air Force’s premier jazz ensemble, the Airmen of Note.
in 2004, Shawn and his wife, Dr. Darden Purcell, moved to Nashville where he gigged and earned his Master of Arts in Music from Middle Tennessee State University.  He gives us details of his experiences in the Nashville music scene.
If you thought Shawn had already received a lot of music education, he and his wife then moved to Illinois where he earned his Doctor of Musical Arts in Jazz Performance.  After a period of teaching at the National Guitar Workshop, he landed the job as the guitarist for the U.S. Naval Academy Band, and a couple years later he won the position as guitarist for the U.S. Navy Band “Commodores” jazz ensemble in Washington DC.  Shawn tells us lots of information about becoming a military musician, the lifestyle, the necessary skills, etc.  He stresses the importance of being able to sight read!
Finally we get into a deeper discussion about higher education: how to become a music professor, what that experience is like, how universities work, etc.
Shawn was one of Joe’s jazz guitar teachers at George Mason University, and Shawn’s methodical and organized style of teaching helped Joe achieve tremendous growth as a guitarist and as a teacher.
Check out Dr. Shawn Purcell at www.shawnpurcell.com

Drums and Music for the Under-Resourced (with Joe Hamm of El Sistema) Ep038

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Podcast: Play in new window | Download (Duration: 1:10:43 — 48.8MB)

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Drummer and music educator, Joe Hamm, joins the conversation as we learn about the El Sistema philosophy of providing music programs to under-resourced kids, the social value of music, the role of the drums within the context of a band, and touring.

Joe Hamm gives us his musical and educational background, and we talk about melodic drumming, ear training, and the deprivation of sounds and colors.
The philosophy of El Sistema was created in Venezuela in 1975.  It focused on the idea that an orchestra is a community and thus models the larger society.  Organizations that adhere to the El Sistema philosophy provide under-resourced students with consistent access to intensive music education.  Joe Hamm tells us about his program, Soundscapes, with which he and ~9 other teachers work with students in Newport News, Virginia.
We talk about Joe Hamm’s former rock band, Chasing Arrows, their tour schedule, and the impact of the financial crash of 2008 on the music industry.
More information about Joe Hamm can be found at https://www.joehamm.com/
More information about El Sistema can be found at https://elsistemausa.org/
More information about Soundscapes can be found at https://soundscapes.org/

Hosting FM Radio (with Guest Host Steve Black)

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Podcast: Play in new window | Download (Duration: 1:13:12 — 67.2MB)

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Steve Black may have conducted over 1500 interviews of famous musicians and bands over the past 30 years, but Aaron and Joe use the opportunity to get Steve’s story of what it’s like to be a rock radio host. Steve tells us about how his incredible journey started back in 1989 at a radio station in Detroit, Michigan, and how a blizzard gave him the chance to run his first radio program. We dig into Steve’s take on what makes a good radio personality, how he runs his own show, and how he sets up interviews and then prepares for them.

Steve tells us about interviewing Ted Nugent, Bob Ezra (producer for Pink Floyd), and Paul O’Neil (producer for Trans Siberian Orchestra). He tells us about his friendship with Steve Vai. He even tells us about the time he went to a birthday party with Guns ‘N Roses.

We discuss the changing music industry and how to get your music onto the radio. We also get the story behind Steve’s book, “From Black to Light.”

Steve has his own show called the Chop Shop, which is centered around the guitar, but includes many different styles of music.

Also check out Steve’s podcast:

The Sound Of
https://itunes.apple.com/us/podcast/the-sound-of/id1272892687?mt=2

Concerts and Music Festivals Ep032

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Podcast: Play in new window | Download (Duration: 1:12:38 — 50.1MB)

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Aaron and Joe delve deep into their memory banks as they share tales from the many concerts and music festivals they have experienced. As a musician it is incredibly important that you attend live shows: it fuels your passion for making your own music, it helps you learn how to build set-lists to hold an audience, it’s FUN, and so much more.

The guys talk about seeing bands like Rush, Big Something, Dave Matthews, Tom Petty, the Black Crowes, Metallica, Megadeath, Blink 182, Tedeschi Trucks, Pat Metheny, the Yellowjackets, Tito Puente, Mark Whitfield, Mike Stern, Bon Jovi, Jeff Healey, Pearl Jam, Red Hot Chili Peppers, Hootie & The Blowfish, Billy Joel, Aerosmith, Phish, Umphrey’s McGee, Jack White, Kanye West, Elton John, the Black Keys, Joe Bonamassa, Paul McCartney, Tori Amos, Iced Tea, Snoop Dog, Weezer, Stevie Nicks, Tool, Meshuggah, Yes, Gov’t Mule, Prince, Danzig, Suicidal Tendencies, Flaming Lips, Skrillix, John Butler Trio, Green Sky Bluegrass, Ween, Sublime, Incubus, Cake, and many more!!

When you see a live show you should keep in mind that the venue is going to dictate your experience. Often smaller venues provide a more intimate experience with the chance to really interact with the performers. Large arena concerts can be fun, but often the experience is dependent on your seats (pit vs. lawn, etc.) and the people you went with. The guys talk about specific venues from jazz clubs to warehouses to theaters to arenas.

Aaron talks about his experience at the Milwaukee Metal Fest. Joe talks about the differences between the music festivals he has attended, from Bonnaroo, Firefly, Lockn, All Points West, and many local festivals. Different vibes, different lineups, different camping situations, different experiences.

With so many different live music options available to us, there is no excuse to not get out there and see a show! Support your local musicians, experience a new genre of music, try camping out at a festival, or crowd surf for the first time (make sure your phone is in a secure pocket).

Mods for Guitar, Amps, Pedals and Gear Part 2 of 2 (with Guest Host, Miles Harshman) Ep031

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Podcast: Play in new window | Download (Duration: 47:24 — 43.6MB)

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In part 2 of our discussion with Miles Harshman, Miles continues telling us about being a student at Berklee College of Music: his famous roommate, the ensembles available to students, etc.

Then we really dig into the details of modding guitars, amps, and pedals. Modding is a way to get new sounds out of the equipment that you already have by changing physical components of that equipment. Miles shares a wealth of information on how to change/improve your gear by changing out capacitors, rectifier tubes, pre-amp tubes, and power-amp tubes, speakers, etc. Did you know that changing out a rectifier tube in your amp can cause it to naturally break up sooner (for more natural overdrive at more reasonable volumes) or later (for more clean headroom).

Miles also helps to clear up the mystery revolving around biasing tube amps. Please keep in mind that any work involving the internal components of a tube amp can be very dangerous if you don’t know what you are doing, even if the amp is off and unplugged.

The more you learn about your equipment, the more you can get the most out of it. Even things as simple as knowing when your amp’s tubes are going bad can make a huge difference to your sound on stage or in the practice room.

Mods for Guitar, Amps, Pedals and Gear Part 1 of 2 (with Guest Host, Miles Harshman) Ep030

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Podcast: Play in new window | Download (Duration: 1:06:19 — 45.8MB)

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Who doesn’t love to talk about guitar tone?? Aside from the obvious fact that much of your tone comes from your fingers, it is also greatly affected by your beloved gear: your instruments, amps, effects pedals, etc. Lots of the gear that you purchase off the shelf can actually be improved or changed through mods / modifications to the internal circuitry – some of which you can do yourself. We bring in guitarist, amp technician, music teacher, and Berklee graduate, Miles Harshman, to give us the ins and outs of musical equipment.

In Part 1 of this conversation we dig into guitar tone, ranging from Jimi Hendrix to Stevie Ray Vaughan to Robin Trower. Miles talks about his love of different types of fuzz pedals, an effect that Joe rarely uses. While Joe uses several types of overdrive and natural small amp distortion, he commits to giving fuzz another try. Miles presents an overview of how tube amps work – their different gains stages, how the tubes break up, the feeling of a tube amp due to the sag/sponginess in the rectifier tube.

Miles tells us about his journey to becoming a gear technician, including building his first stratocaster in high school and his more recent telecaster with unusual switches.

We talk about clean guitar tones, and how hollow, semi-hollow, and chambered bodies affect the your sound.

Miles begins telling us about his experiences at Berklee College of Music, including the many ensemble choices, the enormous practice room amps, and the general atmosphere. Check out next week’s episode to discover who was Miles’ freshman year roommate!