Tag Archives: guitar lessons

Synthesizers and Sampling part 2 of 2 (w/ Guest Host, Paul Gaeta) Ep034



We explore synths, drum machines, samplers, LoFi music, studio monitors and so much more with the help of Mr. Paul Gaeta, an electronic music producer and manager at the Moog Factory in Asheville, NC.

Paul explains how he came to work at Moog, and then tells us about his electronic music project, which utilizes a Juno 60 synth. He also tells us about his lofi project and the copyright problems that arise from sampling songs.

We delve into Paul’s musical writing process, and Joe explains chord theory by comparing chords to cookies. No matter what instrument you play, a synthesizer could be a great way to spur some creativity in your music.

Paul talks about how to generally use synths – don’t try to recreate a sound in your head (like a “saxophone” sound), but try to explore the sounds that you can pull out of the synth by way of filters, LFOs, oscillators, and different waveforms (saw tooth, square, triangle, etc). He explains the differences between mono synths and poly synths, between analogue and digital synths, and places to start if you want to get into synths but have no prior experience.

From there we move into the world of drum machines and samplers. Paul tells us about different pieces of equipment and generally how to use them.

The conversation gets into the music of Stranger Things (from the synth-oriented electronic band Survive) and Michael Jackson, the evolution of MTV and VH1, and GarageBand and the modern era of instant gratification.

Check out some of Paul’s projects:
Paul Abdul (lofi beat stuff) https://paulabdul.bandcamp.com/album/promises-to-keep

Panther God (synthy stuff) https://panthergod.bandcamp.com/album/golden-changes

Xero God (rap project) https://xerogod.bandcamp.com/album/bandidos


Synthesizers and Sampling (with Guest Host, Paul Gaeta) Ep033



We explore synths, drum machines, samplers, LoFi music, studio monitors and so much more with the help of Mr. Paul Gaeta, an electronic music producer and manager at the Moog Factory in Asheville, NC.

Paul explains how he came to work at Moog, and then tells us about his electronic music project, which utilizes a Juno 60 synth. He also tells us about his lofi project and the copyright problems that arise from sampling songs.

We delve into Paul’s musical writing process, and Joe explains chord theory by comparing chords to cookies. No matter what instrument you play, a synthesizer could be a great way to spur some creativity in your music.

Paul talks about how to generally use synths – don’t try to recreate a sound in your head (like a “saxophone” sound), but try to explore the sounds that you can pull out of the synth by way of filters, LFOs, oscillators, and different waveforms (saw tooth, square, triangle, etc). He explains the differences between mono synths and poly synths, between analogue and digital synths, and places to start if you want to get into synths but have no prior experience.

From there we move into the world of drum machines and samplers. Paul tells us about different pieces of equipment and generally how to use them.

The conversation gets into the music of Stranger Things (from the synth-oriented electronic band Survive) and Michael Jackson, the evolution of MTV and VH1, and GarageBand and the modern era of instant gratification.

Check out some of Paul’s projects:
Paul Abdul (lofi beat stuff) https://paulabdul.bandcamp.com/album/promises-to-keep

Panther God (synthy stuff) https://panthergod.bandcamp.com/album/golden-changes

Xero God (rap project) https://xerogod.bandcamp.com/album/bandidos


Concerts and Music Festivals Ep032



Aaron and Joe delve deep into their memory banks as they share tales from the many concerts and music festivals they have experienced. As a musician it is incredibly important that you attend live shows: it fuels your passion for making your own music, it helps you learn how to build set-lists to hold an audience, it’s FUN, and so much more.

The guys talk about seeing bands like Rush, Big Something, Dave Matthews, Tom Petty, the Black Crowes, Metallica, Megadeath, Blink 182, Tedeschi Trucks, Pat Metheny, the Yellowjackets, Tito Puente, Mark Whitfield, Mike Stern, Bon Jovi, Jeff Healey, Pearl Jam, Red Hot Chili Peppers, Hootie & The Blowfish, Billy Joel, Aerosmith, Phish, Umphrey’s McGee, Jack White, Kanye West, Elton John, the Black Keys, Joe Bonamassa, Paul McCartney, Tori Amos, Iced Tea, Snoop Dog, Weezer, Stevie Nicks, Tool, Meshuggah, Yes, Gov’t Mule, Prince, Danzig, Suicidal Tendencies, Flaming Lips, Skrillix, John Butler Trio, Green Sky Bluegrass, Ween, Sublime, Incubus, Cake, and many more!!

When you see a live show you should keep in mind that the venue is going to dictate your experience. Often smaller venues provide a more intimate experience with the chance to really interact with the performers. Large arena concerts can be fun, but often the experience is dependent on your seats (pit vs. lawn, etc.) and the people you went with. The guys talk about specific venues from jazz clubs to warehouses to theaters to arenas.

Aaron talks about his experience at the Milwaukee Metal Fest. Joe talks about the differences between the music festivals he has attended, from Bonnaroo, Firefly, Lockn, All Points West, and many local festivals. Different vibes, different lineups, different camping situations, different experiences.

With so many different live music options available to us, there is no excuse to not get out there and see a show! Support your local musicians, experience a new genre of music, try camping out at a festival, or crowd surf for the first time (make sure your phone is in a secure pocket).


Mods for Guitar, Amps, Pedals and Gear Part 2 of 2 (with Guest Host, Miles Harshman) Ep031



In part 2 of our discussion with Miles Harshman, Miles continues telling us about being a student at Berklee College of Music: his famous roommate, the ensembles available to students, etc.

Then we really dig into the details of modding guitars, amps, and pedals. Modding is a way to get new sounds out of the equipment that you already have by changing physical components of that equipment. Miles shares a wealth of information on how to change/improve your gear by changing out capacitors, rectifier tubes, pre-amp tubes, and power-amp tubes, speakers, etc. Did you know that changing out a rectifier tube in your amp can cause it to naturally break up sooner (for more natural overdrive at more reasonable volumes) or later (for more clean headroom).

Miles also helps to clear up the mystery revolving around biasing tube amps. Please keep in mind that any work involving the internal components of a tube amp can be very dangerous if you don’t know what you are doing, even if the amp is off and unplugged.

The more you learn about your equipment, the more you can get the most out of it. Even things as simple as knowing when your amp’s tubes are going bad can make a huge difference to your sound on stage or in the practice room.


Mods for Guitar, Amps, Pedals and Gear Part 1 of 2 (with Guest Host, Miles Harshman) Ep030



Who doesn’t love to talk about guitar tone?? Aside from the obvious fact that much of your tone comes from your fingers, it is also greatly affected by your beloved gear: your instruments, amps, effects pedals, etc. Lots of the gear that you purchase off the shelf can actually be improved or changed through mods / modifications to the internal circuitry – some of which you can do yourself. We bring in guitarist, amp technician, music teacher, and Berklee graduate, Miles Harshman, to give us the ins and outs of musical equipment.

In Part 1 of this conversation we dig into guitar tone, ranging from Jimi Hendrix to Stevie Ray Vaughan to Robin Trower. Miles talks about his love of different types of fuzz pedals, an effect that Joe rarely uses. While Joe uses several types of overdrive and natural small amp distortion, he commits to giving fuzz another try. Miles presents an overview of how tube amps work – their different gains stages, how the tubes break up, the feeling of a tube amp due to the sag/sponginess in the rectifier tube.

Miles tells us about his journey to becoming a gear technician, including building his first stratocaster in high school and his more recent telecaster with unusual switches.

We talk about clean guitar tones, and how hollow, semi-hollow, and chambered bodies affect the your sound.

Miles begins telling us about his experiences at Berklee College of Music, including the many ensemble choices, the enormous practice room amps, and the general atmosphere. Check out next week’s episode to discover who was Miles’ freshman year roommate!


Fingerstyle Guitar Part 2 of 2 (with Guest Host, Dustin Furlow) Ep029



In part 2 of Fingerstyle Guitar, Dustin gets into his process of arranging his compositions and how he goes about coming up with his melodies. The guys also discuss one of his original songs, “Elder Tree”, the role of an audience, how Dustin was approached by booking agents, the process of booking shows/tours, concertsinyourhome.org, Dustin’s connection to fingerstyle and his solo show, his practice routine and resources that he recommends.

 

dustinfurlow.com for more information

 

Fret Buzz The Podcast

fretbuzzthepodcast.com

 


Down at The Crossroads Ep015



This week, Aaron and Joe share their stories of reinvention following relocation to various cities and work experiences. They discuss the intersection of their own musical journeys, perspectives on academic music training, developing a foundation in ear training, and their evolving definitions of musical success.

Today’s episode is dedicated to cough drop companies around the world, as Tony seeks an endorsement to combat his severe laryngitis.